(170 cm)


Russian born American dramatic mezzo, Natasha Novitskaia will be performing in New Year's Concert in Dvorak Hall on 2nd January 2022 with North Czech Philharmonic Orchestra (conductor Filippo Arlia). She also will be performing Santuzza in Cavalleria Rusticana in Teatro Minicipal & Teatro Teresa Carreño (conductor Rubén Capriles,music director of National Philarmonic Orchestra of Venezuela) in the fall 2021 and she is to perform in concerts in the season 2021/2022 with National Choral in Lincoln Center (conductor Everett McCorvey) . Natasha was scheduled to perform in Beethoven’s 9th Symphony as mezzo soloist twice in 2020:in David Geffen Hall at Lincoln Center in New York City in May and at the Cesky Krumlov international music festival in the Czech Republic in August. (both concerts were cancelled due Covid-19). This past year Natasha performed as a leading soloist in 3 concerts in NYC - “Opera Gems: the art of dramatic singing” (February), symphonic opera gala with internationally famous soloists, “In Memory of Francisco” (December) and the gala “VivaVerdi” (March) in the Opera America/National Opera center. “Ms. Novitskaia uses the texture of her powerful mezzo instrument to create an aura of suspense and we loved the final “silencio”…and in the lower register she has a certain contralto-like quality. She was a Commanding and devious Amneris in her duet with Amneris!” (Voce di Meche).In the fall of 2020 Natasha wasscheduled to sing Santuzza (Cavalleria Rusticana) with New Jersey Association of Verismo Opera in gala concert with orchestra and chorus.

Natasha Novitskaia had successful performance in August 2018 at the Mythos Festival in Taormina singing Amneris in Teatro Greco after being chosen as a winner of their competition in Rome, Italy. (“Il mezzosoprano russo Natasha Novitskaia fu una ottima Amneris, dalla voce traspartente e decisa, senza tentennamenti" Globus Magazine,Italy). In April 2019 she was awarded with the Second Prize at the Barry Alexander International Vocal Competition after her returning to Carnegie Zankel Hall in Gala concert singing Carmen.

In her return to Carnegie Zankel Hall in April 2017 Natasha was a featured guest artist in an opera gala honoring the great Italian tenor Giuseppe Giacomini.

​In addition to performing her Amneris at the opening night performance of Aida at the summer’s Mythos Festival in Taormina in 2018, she sang arias in the festival’s Mascagni Gala with conductor Alberto Veronese and she was featured in the Closing Night Gala of the Festival.

Having begun her career as a spinto soprano, her voice transitioned to dramatic mezzo-soprano, and she is now a true Verdian mezzo, excelling in repertoire such as Santuzza, Dalila, Princess de Bouillon and in many of the important Russian mezzo roles as well as the works of Wagner (Erda, Fricka, and Waltraude).

In the fall 2017 she was a finalist in the Altamura Caruso International Voice Competition in NYC. Natasha has performed Fricka and Carmen with New York Opera Forum and Azucena with One World Symphony in New York City and at St. Thomas Aquinas in Brooklyn. In 2015 she sang the Principessa (Suor Angelica) in the Tuscia Opera Festival in Cordona, Italy. In 2016 Natasha received a standing ovation for her Azucena in a concert performance of Il Trovatore at the Liederkranz Foundation. This performance followed her appearance with the Mercury Orchestra as soloist in Prokofiev’s Alexander Nevsky for mezzo, chorus, and orchestra. In 2015 she made her European solo recital debut singing Rimsky-Korsakov, Tchaikovsky, Rachmaninoff, and Sviridov with pianist and conductor Sergey Neller, and in 2016 she sang a solo concert at the Russian Embassy in Berlin.


“…il mezzosoprano russo Natasha Novitskaia fu una ottima Amneris, dalla voce traspartente e decisa, senza tentennamenti.” *- Francesco Giordano for “Globus Magazine”, Italy

* “the Russian mezzo-soprano Natasha Novitskaia was a very good Amneris, with a transparent and decisive voice, without hesitation.”

“Ms. Novitskaia lent her powerful voice to the creation of the character of Ulrica in “Re dell’abisso, affrettati” from Ballo in Maschera. The way she used the texture of her mezzo instrument created an aura of suspense. We loved the final “Silencio!”. In the lower register she has a contralto quality. She “plays well with others” as we saw in the numerous duets. She was a very commanding and devious Amneris in the duet “Fu la sorte dell’armi a’ tuoi funesta” from Aida, tricking her rival Aida.” – Voce di Meche

“Mezzo-soprano Natasha Novitskaia, came out with a red dress and red flower…she gave a very sexy performance of Carmen’s aria “L’amour est un oiseau rebelle.” Her mezzo voice easily dipped down to the lower register and up to the higher notes in her range. At the end, she threw a red flower into the audience.” – Voce di Mechi